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Հայ Рус Eng
Magazine
Issues
29 MB
Fall 2008
The pit

We are heading to the monastery Khor Virap to descend into the same pit used for those condemned to death, in which the first Head of the Armenian Apostolic Church, Gregory the Illuminator, spent thirteen years. As a matter of fact, it turned out that it was not the only underground dungeon around here used at the turn of the new millenium.

Journey is the destination

Vahe Berberian, a modern day “Renaissance Man” - an artist, playwright, actor, and a man with a heap of creative ideas, the realization of which takes his whole existence, becomes a cultural icon of classic proportions, an Armenian Don Quixote - combination of nobility and desire to defend his beliefs.

Why did You grant me so much?

As I was leaving the studio of one of the most prominent contemporary French painters, Jansem, I asked him, “What are you going to do now, right after I leave?” He replied, “I’ll have a snack and will continue working.” That’s how the monologue that started with the words, “I love to paint,” should have ended.

With metal in voice

Knowledge has been the most valuable asset throughout the history of civilization. How can we preserve it, pass it to our descendants, and not to lose it, harm it, break it, tear it, burn it, or erase it? Listen carefully to the Armenian words, examine the letters that form these words, and a great secret will reveal itself to you.

Roads of the Diaspora: Côte D'Azur

According to a famous song, every coastline and every seashore is unique. There are the shores we'd like to forget, such as the Turkish Shore. There are foreign shores, such as the Ivory Coast in West Africa or Bondi Beach in Australia. Finally, there is the Côte D'Azur: the most gorgeous and the most familiar of all European shores.

The king of kings

The reign of Tigran II was a period of a forceful outward expansion in the history of Armenia. The great Armenian king, a clever politician and strategist, transformed his country into a power-ful state which even threatened the mighty Rome.

The Architect of the Twelfth Capital

History is made in a single attempt; it cannot be rewritten but only revisited. The physical history of Yerevan in the 20th century was written with a bold signature in a swift line and with a new vocabulary, without mistakes or scribbles. First on paper, and then in stone. The author of this new visual narrative was the architect Alexander Tamanyan.

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